“Ballerina” Earns Its Place in the “John Wick” Universe

Despite its name, Ballerina, the film doesn’t heavily feature traditional ballet. However, it compensates with an abundance of “balletic violence.” The creativity in fight choreography is notable, showcasing numerous variations of roundhouse kicks, clever chokeholds, and a range of brutal techniques. While the plot and performances might fade from memory quickly, the movie’s exaggerated violence offers a cathartic experience. It’s suitable for those seeking to vicariously unleash anger without real-world consequences.

The film starts with a familiar setup: a young girl with a bloody face clutches a music box containing a ballerina figure, a memento from her father who was killed by skilled thugs. She escapes their pursuit with the help of Winston (Ian McShane), who ensures she is raised by The Director (Angelica Huston), a ballet instructor and leader of the Ruska Roma crime syndicate, which John Wick is trying to escape. The events of Ballerina occur between John Wick: Chapter 3 — Parabellum and John Wick: Chapter 4.

The young girl grows up to be Eve Macarro, played by Ana de Armas, seeking revenge for her father’s murder. The straightforward plot of Ballerina might be one reason why de Armas’ performance doesn’t fully shine. While she displays graceful and tenacious qualities, she comes across as more decorative than compelling. The dialogue, typical of the John Wick series, is direct. However, de Armas’ physical skills are evident, particularly in a scene where she infiltrates a nightclub to protect someone, showcasing her impressive kicking abilities.

Despite de Armas’ leading role, the presence of serves as a reminder of the franchise. His brief appearances offer a welcome contrast to Eve’s intensity. Gabriel Byrne portrays a villain called the Chancellor, who has kidnapped Ella (Ava Joyce McCarthy) and taken her to a village in the Alps where killers train their children. Ballerina also incorporates a subplot involving a lost sibling, though its impact is minimal.

Ultimately, Ballerina highlights the work of stunt performers. Numerous stunt professionals are involved in scenes featuring stabbings, stomping, impacts against walls, and weapon attacks. These professionals were largely hired from the film’s European shooting locations, including Austria, Hungary, Croatia, and the Czech Republic. The increasing trend of Hollywood films being produced outside of Hollywood doesn’t diminish the dedication of these skilled individuals who are willing to perform dangerous stunts.

Len Wiseman, director of Ballerina and creator of the Underworld franchise, ensures the film maintains a brisk pace. The attention to detail, particularly in the costumes, is commendable. Many characters wear striking jewelry, while Houston’s Ruska Roma matriarch sports opulent accessories. These visual elements contribute to the film’s larger-than-life quality and help define the characters. The film offers exciting stunts and costumes that convey a character’s essence.

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